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This volume explores the relationship between temporality and presence in medieval artworks from the third to the sixteenth centuries. It is the first extensive
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The Italian Presence in American Art, 1760-1860, based on papers presented at a joint Instituto della Enciclopedia Italiana/Fordham U. symposium held in 1987, w
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Throughout history, and all over the world, viewers have treated works of art as if they are living beings: speaking to them, falling in love with them, kissing
